Doctor Who – Arachnids in the UK

  • Doctor Who (2005) Season 11 – Episode 4
  • Air Date: 28th October 2018, 19:00 (GMT)
  • Writer: Chris Chibnall

Such Halloween. So Spiders. Wow! And it kind of was Wow this week, as we return to the fine adventuring form of the second episode with another rollicking roustabout in the time-lost depths of deepest, darkest Sheffield. This suggests a pattern similar to that of the Star Trek movies, Odd ones being not quite as good as the Evens. It’ll be something else to watch out for, won’t it? Not sure what I think of that title…I suppose it’s a riff on Anarchy in the UK but if so it falls pretty flat as a reference to anything that happens in this episode. I was looking out for him but I didn’t spot Sid Vicious once. Did you?

So the Doctor has finally managed to bring her technologically-kidnapped charges home, just in time to sort out a problem with the local spider population. [SIDE NOTE THAT IS BIGGER THAN THE  PARAGRAPH CONTAINING IT: We got a fantastic look at the time vortex in this sequence, looking like nothing we’ve ever seen before; a riot of colours – blues and reds predominantly – forming a visible network of tunnels for the TARDIS to hurtle through. It was also fun to see the TARDIS crew being rocked and buffeted about as the Doctor is clearly still relearning how to pilot her revamped ship. It reminded me pleasingly of old times in classic series’ and very much reinforces the Doctor’s love of a good rollercoaster ride.] I was also quite impressed that she got them home within half an hour of their departure. That spot of deft, chronal terpsichore neatly sets up the ending of this weeks’ episode, too.

Name That Expression

If you don’t like spiders, then this episode would probably have been viewed through strategically clenched-fingers as the effects department treated us to some brilliantly realistic little devils for us to feast our eyes upon. Some the size of cats, one the size of a van, these things were amazing to look at, beautifully realised through all-conquering CGI. There was a fair amount of it, too, lots of great shots of the beasts scuttling about singly and  – mild, wispy spoiler –  en masse. Reports are that someone showed this episode to Peter Jackson who promptly fainted: the spiders are THAT good.

My favourite companion, Graham, was sad a lot this episode. I’m not surprised: Bradley Walsh is very good at this. You really feel for him as he sits in that old house haunted by the startlingly present memory of his dead wife. I’m glad the writers did this for Graham. It wouldn’t have done to have him blast off into the universe without a backwards glance. But I do hope that’s enough moping from him, says this entirely callous reviewer, and next episode we get to see him whooping it up with a multi-breasted lady of negotiable virtue.

Yas finally takes centre stage and shines, apart from the bits where she’s being bitchy to her lovely Mum and deserves a bit of corrective hand-against-face. This episode has resolved my concerns about her acting abilities, though – she seemed much more comfortable this episode. Perhaps acting against the brilliant Shobna Gulati, of Dinner Ladies fame, playing her Mum gave her a bit of a boost? Long may it continue.

…..Oh, Rose. *sniff*

The Doctor shines in this episode too, getting to be very Doctory – rushing about breathlessly solving problems – but also a kind of Doctor we haven’t seen before. One that doesn’t just sell her companions on the thrill of Seeing The Universe but makes sure they understand what they’re getting into (where was that last week with Ryan in 1950, eh, Doc!?). She also has some great comedy lines this week – in a world where we have the American President we have (He Who Shall Not Be Named Here) the thought of Ed Sheeran becoming President is both terrifying AND hilarious AND completely terrifying again.

Great acting this week from all concerned. I get the definite sense that people are relaxing into their roles, and the supporting cast were generally brilliant. Dr Jade McIntyre, played by the wonderfully named Tanya Fear, was especially good to watch. She reminded me somewhat of the lovely Osgood. Something about her accent, perhaps? The glasses? Whatever, she was great. More of her, please.

In modern Sheffield women walk ahead of their males where they greet people first to transact business and negotiate access to whatever talents the males possess. Yes, this is the second Star Trek reference of the day – a NoPrize for whoever gets the episode it comes from.

Chris Noth as Robertson was also fun to watch, relishing screen time and chewing scenery with finely measured aplomb. He’s not he first American Corporate type we’ve had as villain on Doctor Who – Henry Van Statten in Season 1’s seminal episode, “Dalek”, springs to mind (“Recognise me!”) – but he’s a fairly memorable addition to the list, though as a villain he’s squarely of the pantomime variety, despite starting off as a bit of a git. I did laugh at his highly topical view of the world, though: “Why can’t you be normal people who own guns and shoot things?”.

AAAAAAARGG! I’m an American on a British TV show airing in America!!!!

Turns out the reason for the gigantic spiders was amusingly hokey in a B-movie kind of way, with a twist of eco-responsibility hammered in because why not. I liked it for being rather barmy and also because it occurred as a result of the kind of short-sighted but ultimately well-meaning business decisions I see at work on a regular basis. I’m not sure I ever want to work in a a lab that throws out not-quite-dead spiders, though. That’s just Shoddy. Tsk.

Lastly, no Metebelis III mention in an episode where the Doctor faces giant spiders??? HERESY!

N E X T   W E E K ! ! !   Doctor Who – The Tsuranga Conundrum, where the Doctor and her chums play the original GTA and figure out how to run over the conga line of people dressed in orange.

Doctor Who – Rosa

  • Doctor Who (2005) Season 11 – Episode 3
  • Air Date: 21st October 2018, 18:55 (GMT)
  • Writer: Malorie Blackman

Straight off the bat let me just say that I’m naturally inclined towards the more futuristic or overtly scientific episodes of Doctor Who – historical adventures are fine but I’m generally not one to get a kick out of historical events or figures. Meeting Rosa Parks in this adventure was interesting but when our heroes start enthusing and gushing about a person who actually existed (Sadly Mrs Parks passed away in 2005), and repeatedly pressing home how important they were, it is hard to shake off the feeling I’m sitting through a school lesson rather than indulging in some breezy escapism.

(I’ll also mention I was a touch distracted throughout yesterday by meeting a lady online the who may possibly become my new girlfriend, so an argument can be made that my heart wasn’t really in the viewing experience)

I want to make very clear, however, that none of my personal feelings should be allowed to tarnish the message concerning Rosa Parks herself. What she accomplished in her life was utterly awe-inspiring; we should ALL be thankful for her object lesson in how to make the world a better place. To have suffered all her life, as many Black people did and still do, only to be recognised fifty years later by a Congressional Medal of Honor…is appalling. Her name rightly deserves to live on for all time. but for something far more inspiring than a simple space rock – Let’s sort that out, Humanity, eh? That we now have an episode of Doctor Who showcasing her achievement is only fitting.

Where It All Started To Change

It was good to see the Doctor and companions having to deal with some very real Racial prejudice. And deal with it directly too – not obfuscated or dressed up in analogy (Though 1987’s Rememberance of the Daleks did briefly touch on it with the Guest House’s “NO COLOUREDS” sign). Poor Ryan, a young black male, took the brunt of it, Yas being given a slightly easier time being mistaken for “Mexican”.

PHOTO: 7th Doctor Companion, Ace, encounters very British Racism in 1960’s London. (Rememberance of the Daleks, 1988)

Of course the Pink, Bow-wearing Elephant in the room was that Sexism went completely unremarked this week. I get the expediency of not having your script take on too much work, and focus on doing one objective properly, but I think both the Doctor and Yas got off lightly in this environment where they’d have struggled more in real life. The Docor will find that on Earth her new form isn’t going to be as well accepted as any previous one. I will keep waiting for this to be addressed because it’s exactly what I imagined would be great meat for the series to delve into with a Female Doctor.

SCRIPT PROBLEMS
I felt the script was weak. Dialogue was largely flat and much of the logical construction behind the tale felt ropey at best. Bad guy from the future just happens to be a racist bigot? Many of the white people depicted were decent people too and racist not out of spite or malice but because they didn’t know any better. I felt that undercut our villain, slightly. I wasn’t terribly impressed with his plan to “nudge” history out of shape either, relying on the kind of Goonies-level hi-jinks that is more irritating than threatening. I also felt the attempt to paint him as bad because he’d killed a thousand people was clumsily handled. The Doctor has dealt with people who’ve killed universes, son – you’re just a pimple compared to them, and your bad-lad leather jacket is as pathetically mockable as Peter Parker’s angst-driven dance “strut” in the Sam Raimi’s third Spider-Man film.

I also think that any person stepping into 1950’s America should have possibly realised that taking a young black man with you was going to lead to trouble. For the Doctor (and Graham) to have made this error – and then to compound it by not sending Yas or Ryan straight back to the TARDIS after the first incident where Ryan got assaulted was incredibly poor, and barely credible. This wasn’t the small lack of paying attention made by the Seventh Doctor being gunned down as he closes his TARDIS door, this was Doctor thirteen ignorantly marching a burning torch into a fireworks factory, and then continuing to march around with it even after fireworks have gone off. Hide in a Motel? No, TARDIS!!! (The scene with the cop was wholly unnecessary, adding nothing to the story).

…can the Doctor see through the Fourth Wall???

TARDIS
While I’m on the subject of the Tardis – I loved the interior scenes. The new design is definitely growing on me. And it’s interesting that the Doctor is once again no longer in complete control of the vessel, having made 14 attempts to return to Sheffield by episode opening; it seems the controls have changed so much that the DOctor is still having to figure them out, creating opportunities for the TARDIS’ guiding intelligence to take the Doctor where she needs to be rather than where she wants to be. I do wonder if we’re ever to get any in-universe explanation for any of the TARDIS’ changes, or if this will be left to the imagination.

ACTING ISSUES
My concerns regarding the younger actors’ have returned this week. Tosin Cole was given a meaty chunk of story to get his teeth into this week (Yas once again playing cheerful support to the spotlight) but I think a more capable actor could have delivered a more powerful performance, which was needed given the subject matter. Tosin also needs to enunciate more. His accent and deep tenor conspired more than once this week to obscure what he was saying. But these are minor niggles – overall I still like watching him. And his enjoyment at meeting Dr King and being with Rosa Parks in the same room was infectious.

The Doctor…was okay. She’s a very capable actress and I still love watching her but she needs to learn to do darker tones with more intensity. There were lines during her conversations with Forgettable Future Fonz that I could have imagined any of her previous incarnations making a real growly meal of, but Doctor 13 didn’t come off as being able to convincingly threaten a puppy. I’m tempted to make allowances so early into her tenure: this could just have been just fault of the weakly conceived and frankly not-that-threatening bad guy she was playing off against (The less said about him the better).

ACTING NON-ISSUES
On the other hand Bradley Walsh impressed me for the third week running; Graham might even be working his way up to some kind of favourite of mine among the show’s companions. The man is seemingly incapable of not milking a line for everything it’s worth.  Once more he gets to show a little pain at the loss of his beloved wife, but his standout moment in this episode was his realisation that he would have to be part of the moment where Rosa Parks refuses to give up her seat. His pain at having to compromise his beliefs, and possibly deal with the guilt of betraying his recently-deceased wife, in order to create the conditions that Rosa could rebel against was heartbreaking. That one line: ” No, no: I don’t want to be part of this!”…the clear pain in his eyes and voice…really powerful stuff, beautifully delivered. Bravo, sir. Bravo.

This was a difficult review to write as my feelings towards it are a lot less positive than they were for last week’s breathless romp. This third episode was, for me, a bit of a disappointment. I felt that it failed to engage me on numerous levels but was – ultimately – one that I’m glad the programme makers took a risk on. But in some parts it felt like a sermon or tuition in worthiness rather than a Doctor Who adventure. Too much time describing the important and pivotal History, and how pivotal and important it was, at the expense of actual drama and story-telling. I also believe some writing and acting issues marred what could have been a powerhouse of an episode with a stronger team behind it.

Lastly, how has it taken me two weeks to work out that the new title sequence is a modern version of the ‘howlaround’ opening titles of the classic series’, coupled with with a riff on the similarly iconic starfield-and-blast finish? I am Shame. *bows head*

Modern Howlaround (my name for it from now on) = Beautiful

Doctor Who – The Ghost Monument

  • Doctor Who (2005) Season 11 – Episode 2
  • Air Date: 14th October 2018, 18:55 (GMT)
  • Writer: Chris Chibnall. 

Well, I as live and breathe and emit gasses. I just started this blog a couple of weeks ago, got excited by it, threw some quick articles up, then left it for a bit thinking “It’s new, no-one will see this for aaaages yet.”

Turn up just now. TWELVE new comments awaiting my approval! Blimey! Such a thing has never happened to me. Little bit stunned, but rolling with it. Will read all those later and try and make words do sense back at them.

But for now – Another Episode of Doctor Who just aired! And IT WAS BRILLIANT!!!

[HERE PROBABLY MOST LIKELY BE MOAR WHACKING GREAT SPOILERS. I DON’T ACTUALLY KNOW YET, CAN’T CONFIRM, AS HAVE JUST STARTED WRITING AND PREDICTING FUTURE IS ALWAYS EMOTION (SAYS YODA). BUT LETS PUT THE WARNING HERE JUST IN CASE, EH? PRETEND RIVER SONG IS LOOKING SMUG AT YOU. WE CONTINUE….]

Sorry about the River Song mention just then. She’s not in this one. I don’t think she’ll ever be back, sadly, and now I’ve made myself a bit sad thinking of her. ANYWAY….

Tonight’s episode was an absolute cracker! Starting from that jaw-dropping finish of last week’s inaugural episode, we rejoin our heroes as they slowly die in the absolute nippiness of un-centrally heated space. The Doctor stares, shocked and probably saying rude words inside her head, as her companions all seem to have joined her in this beautifully-shot awfulness.

And then, a rescue! [AH, THERE *ARE* SPOILERS. GOOD THING I DID THE WARNING] Not, as I had imagined, the Doctor doing a techno thing on a techno-gubbins, but the second thing I thought of – but didn’t mention last week and now everyone will think I’m making this up – a spaceship suddenly arrives! Hooray, they’re saved!

And here we go into the new titles sequence! Woohoo! First impression – lovely. The effects sequence used here is just a delightful thing to look at, so bright and colourful in the way only computer generated effects can be. I ADORE it.

Second impression: blimey, that was a bit quick, wasn’t i? None of the triumphal poncing around, languorous lap around the opera-house of the Murray Gold era, no sir! Bit of tune, bit more of tune, title fanfare (also a bit sexy, very delicate CGI lighting on it) – then WHOOSHONWITHTHESHOW. Blimey (reprise) – we’re off to a fairly rapid pace so far!

Let’s keep things a bit vague from here out, shall we? No need to get really detailed about stuff. How about lots of “Squueeeeee!” noises instead? Or maybe something inbetween those two things? Alright then. Glad that’s settled.

Last word on music. I love the subtle music in this show now. So so so much better than the brass pomp of yesteryear. Really good in this episode too.

“Iiiiii’m a Lumberjack and I’m OK. I sleep all night and I work all day”

SO our heroes make it down to a planet, which is beautifully deserty. I do wonder where they shot that. It looks foreign but is probably Brighton or somewhere else stunningly prosaic/a bit shit. By the way, by this point you’ll have noticed that the special effects are two things: 1) Being used sparingly. A BBC budget is clearly in effect. 2) That doesn’t matter because the effects are GORGEOUS. That shot of the ship on the planet when they’re setting off on their walk….yum, I could just lick the screen when stuff like that appears. But you’ll notice you only see it once. Any other shot just has spaceship legs, which are a lot cheaper to do.

Things move rapidly. A menacing chap arrives in a holographic tent (That’s not much of a spoiler). Turns out plot exposition plot, more plot = episode is going to be a perilous journey across a dangerous and mysterious planet! Art Malik is in this bit. He’s dead good. As an actor, I mean. As a character he’s a morally indeterminate. You’ll see what I mean.

You’ll also see that thing that every Dr Who fan wants to see, all the time. The OTHER bit of the Doctor. The bit that makes the noises and carries them about. Ship of Dreams. TARDIS. Clever Blue Box. Only a glimpse, mind. But enough that you know – as I knew  – they’re going to find her this episode. Hooray! But will she want to see the Doctor, or will she run away again?

Jodie Whittaker is really good as the Doctor. All I said about her last week is still there and I love it. I’m going to love this Doctor, I can feel it. She’s like Eleven, but Northern (and female).

Bradley Walsh continues to impress. He’s a very decent actor, and approaching middle age myself I am comforted that he’s a companion. He does some running – as all companions end up doing – and I loved how he had to stop for breath. That’s me, that is. Unfit and old and loving being on an alien planet. He might be my new favourite.

Crikey blimey this planet is dangerous. Millions of flesh eating bacterial microbes in the water, eh? No place for a sodastream.

Boat trip. New companion Ryan Sinclair gets a chance to speak his engineering brain, impressing the Doctor. Poor old Yaz gets a bit short-changed this week. Not much to say or do. I’m hoping she’s some kind of hideous alien being with a dark secret that’ll come out as time goes on. Not sure why I want that, I just do.

Alien planet, my arse, Doctor. This is still Sheffield.

Speaking of which, an encounter with a deserted building complex full of killer robots that shoot like stormtroopers and sentient killer tarpaulins that speak (no, am not joking here) starts laying down some very Moffat-ian mythologising – “The Timeless Child” indeed (uncontrollable shudder of pleasure), I lap that shit up, I really do. MOAR PLEASE. Also, hints that some things with “Tim Shaw” last week are linked to stuff happening this week, too. I SEE YOU, Arc Plot! I do love an Arc Plot. Have a string of full-blooded adventures but tie them all together with tiny threads that weave into their own adventures later on. It’s fun for all the family. If Doctor Who is too complicated for you, you’re too old to be watching it. Complexity is healthy.

..shush now, MEGA-spoiler approaching!

THEY FIND THE TARDIS!!!! And despite appearing to be in a spot of trouble earlier in the episode (and at the start of this scene) she’s actually okay. Not just okay but all better and recovered from her Doctor-explodo incident! Shiny new paint on the outer shell (St Johns sign is white text on Black???). Doctor gives her a cuddle, all raw affection. Awwwwwwwww. TARDIS, notably, lets her cuddle and does not run away or attempt another murder. Doctor, in mid cuddle, tells TARDIS she is sorry but has lost her key (Any Sheffield peeps reading: that’s your cue to go look for it) and door pops open for her. I was looking for the Tennant finger-click but no.

And then….and then….

You know I mentioned Matt Smith’s first episode in my last Dr Who post. And right at the end of that we get a TARDIS interior reveal? Same here. VERY similar, actually, but without the Scottish girl in her nightie blocking the view with her great ginger noggin (I’m Scottish too, so be careful what commentary you make about that – we’re a feisty bunch). No, it’s a great BLONDE noggin blocking the view this time – progress, of a sort.

I was no less excited – I was off my couch and kneeling as close to the TV as I could get, trying to see through the HD pixels and past the Doctor’s head. She’s….The TARDIS is VERY different from what’s come before but also similar? Hexagons are there but not as the famous roundels. Almost looks like the coral is back around the console….but it isn’t. The console itself looks….grown, organic (stop thinking of coral, dammit) but still has the usual assortment of ancient, dichotmous bric-a-brac on it. It appears to be all on one level again, unlike the last one. Reminds me of Ten’s TARDIS quite a lot, but much more claustraphobic. Tighter spaces. Not the great expanse around the centre like there used to be for Rose’s Mum to play Shelf Ornament. It’s a fascinating design, and on screen for way too little time this week to really get familiar with it. But like the Doctor staring agog at her new (old) new ship, I love it too. Yes, already – leave me alone.

The agony, the ECSTACY. “Hello, Sexy”.

God, I love the TARDIS. I wanted to kidnap Suranne Jones for the longest time. Oh, you sexy.

End Credits. Instead of the frankly bizarre list of cast who will be appearing this series we got last week, this week we get a proper ‘Next Time on Dr Who’ bit. Time travelling proper begins. Into the dim and distant 20th century! Looks all a bit ordinary until man shows up with laser blaster firing bright blue bolts which is NOT 20th Century as far as this one-way time-traveller remembers it anyway.

This was a cracking episode. Great pace through it, a terrific energy. Lots to see, actors all being fabulous and giving great performances. Bit of mystery dropped in to keep us intrigued. TERRIFIC special effects. Great new monster tarpaulin thing. And Ryan gets to go all commando Call of Duty after which the Doctor tells him off but then she does something amazing by way of tuition for the lad.

Dr Who is back, folks, and apparently in safe hands, although on a Sunday night now which caught me by surprise but isn’t the death slot that it used to be, in the digital age. And, to the person who asked in the comments, YES I WILL NOW BE DOING THESE EACH WEEK. 🙂 There’s only, what, 10/11 more? Easy peasy.

Doctor Who – The Woman Who Fell To Earth

  • Doctor Who (2005) Season 11 – Episode 1
  • Air Date: 7th October 2018, 18:55 (GMT)
  • Writer: Chris Chibnall. 

[HERE BE WHACKING GREAT SPOILERS. YE HAVE BEEN WARRRRNED. ARR] /random pirate voice

SOMEHOW I managed to miss the first episode of Jodie Whittakers’ tenure as the Thirteenth Doctor when it aired on Saturday just gone. I’m not sure that’s ever happened to me before. I’ve been waiting for it, patiently, but perhaps the huge wait since the Christmas Special lulled me into a stupor. Dang it. Oh well, I’m caught up now and am all ready to speak my brains on the subject.

Jodie Whittaker as The Doctor. As a male and lifelong fan of Doctor Who, first watching Tom Baker somewhere from behind a couch (yes, I genuinely did this, so my mother never fails to remind me) I’m a HUGE FAN of the decision to cast a woman in the role having campaigned for just such a thing since when Matt Smith announced he was stepping down. I’m delighted the program makers have listened. What a wonderful fresh start for the character after the fifty-year sausage-fest!

Quick interjection: the massively misogynistic fan backlash to this decision has been appalling and deeply shaming for the Dr Who community. If you are one of those people, if you’ve ever joked about “Nurse Who” or images of a crashed Tardis next to “Women Drivers!” kindly stop reading this now and depart back to whatever rock you slithered out from under.

Having now seen Jodie in action I really do like her. She’s a very personable, very engaging actress, with just the right kind of oddness in her Doctor for me to have no trouble with her as the Doctor. This is early days however and I’m looking forward to seeing how she develops as writers get more comfortable with her. The script made her a little Tennant, a little Matt Smith, all whirling, verbalised thoughts changing even as she spoke them but that could be down to her Regeneration still playing out throughout most of this episode, which she even calls out in the episode with her great wee speech about Becoming who she is meant to be while still being composed of echoes from the past. Her accent…I’m going to take a little longer getting used to. Like Chris Eccleston it sounds from “The North” (i.e. Northern England). I’d honestly expected something a bit more regal, a bit upper crust. Not sure why I thought that but it’s nice to have an expectation confounded!

It’s also nice to have a Doctor who is a bit nicer to people, after 12 being all crabbit/borderline autistic and 11 liking to go dark and scare them now and again (except when he’s eating Fish Custard). But you can see when this Doctor interacts with people she’s very open with them, fully engaged and on their level. Personable, as I said, and very charming. It also helps that she’s a good bit shorter than Capaldi which avoids her towering over folk like he did – though if she had shorter legs how did she manage to run in those lanky trousers of his without tripping herself up???

The Tardis. This sainted object doesn’t appear in this episode, which is a unique kind of agony for a fan eager to learn all about the new Doctor. I vividly remember Matt Smith’s The Eleventh Hour – my own high watermark for new Doctor entrances in the new series – which waited until the dying minutes of that episode to pull off a jaw-dropping reveal of the redesigned console room. But here, as seen in Twice Upon A Time, the Tardis has apparently dumped the new Doctor out into the skies above Sheffield (props to the showrunners for choosing any other city in the UK than rassenfrassen seen-it-a-million-times London) then scarpered off into the universe. I’m hoping we catch up with her/it next episode and we’re not in for a season long chase. Having said that…it would be kind of cool to see a Doctor deprived of that machine for a little bit longer than usual – just don’t go all Third Doctor on us, eh? But why did The Tardis react so violently to the regenerated Doctor and then run away? Is it also kind of a sexist a-hole? Or has it glimpsed the future and knows something terrible is coming? We’ll have to wait and see.

The Theme Tune This only played during the end credits so either the Beeb have run out of money to make a decent opening title…or it’s being held back until next week. The tune (as played in the end credits, anyway) itself is a throwback to the very first Doctor Who theme and is quite understated in comparison to the Murray Gold era of BIG ORCHESTRAL OMMPAHPAH, which I very much appreciate (Murray seemingly never understood that less is often more). I’m still getting used to it but there’s no doubting it’s Doctor Who, and different enough from what came before to be distinctive.

The Companions I’m not generally in favour of celebrities becoming companions – real life intruding on fiction, and aren’t there actors out there who can, you know, act – even though I have to say in just about all instances on Who so far they’ve worked out okay. Billie Piper was shockingly good despite my viewing it as joke casting ahead of the actual premiere. Catherine Tate was good, if very much Cath Tate. And now we have Bradley Walsh joining the crew, however inadvertently (well, ‘Team’ is probably more accurate until they find the Tardis). I had only encountered Bradley in his role as game show host and was quite despairing of him being chosen for the role. Check out this clip as he tries desperately to keep a straight face. I actually love this clip but seeing him as a Doctor Who Companion? Nooooo. However, my brother – Doctor Who Superfan – told me he’d done some serious acting in the past and was actually very good. Here, as Graham O’Brien, he’s…actually very good. His star charisma means he easily outshines everyone but the Doctor herself but he copes very admirably with a late-episode speech after a tragedy and with a subsequent personal revelation of a close encounter with cancer that he’s still recovering from. I’m interested to see where his character goes.

Ryan (TOSIN COLE), Graham (BRADLEY WALSH), Yaz (MANDIP GILL)

I don’t have much to say about the other two, really. They’re a bit non-descript so far. Although I am a little worried about the acting abilities of our police-woman. While Tosin Cole (“Ryan Sinclair”) delivers a very natural performance, Mandip Gill (“Yasmin Khan”) seemed to overcook a few deliveries of line and action. I’m hoping that was just nerves and she’ll relax into it. I never liked “Martha Jones” waaay back in Season three (of the 2005 series) but watching Freema Agyeman on Netflix in Sense8 was a revelation.

Overall I’m really pleased the new Doctor is finally here. I caught a glimpse of her Reddit AMA (Ask Me Anything), sadly after the fact, and she seems lovely as a person, very funny and witty too so I’m looking forward to seeing her sparkle on screen as the series progress.

And that ending, eh? Has any episode ever ended with all four of our heroes unceremoniously dumped into interstellar space? Can’t wait to see how they get out of that one! My guess: quick recalculation of doohickey then BLIP! back to sweet sweet oxygen!

Until next time, folks!